Thursday, May 16, 2013

Hang in there

Here's my latest space saving idea - a 5/8 piece of plywood suspended with chain from a previously installed ceiling storage unit. I just needed something for bulky, not too heavy items. It suspends over my slab roller and I can easily access everything. It's the most economical easy thing I could think of to store a lot of these things and free up more space on my heavy metal storage unit.

I also got a bit of decorating time in between garden and other work.  Decorating with these under glazes is taking a lot of time. I tried the foam stamps that I've had for 36 years, but they didn't make a clean imprint. I still had to use a small brush to even out the under glaze, even though I had brushed it on to the stamp evenly. The other stamp I tried was pieces of some commercial stamps. Those had the same problem, but I think worked a hair better. Looks like I'll have to practice some brushwork if I want to get some of those simple designs and maybe use oxide washes with the sponges on top of the clear glaze. That's how I used those stamps years ago for my high fired reduction work.

We didn't get out to the store to find a replacement for my corrupt, stand along hard drive, so we'll be doing that right after breakfast. It's raining this morning so the other half of my fertilizing job will have to wait till later or another day.

Studio time today will be glazing the bisqued slip tests I unloaded this morning and decorating  a few more pots.  I promised Jim a crab cake dinner, and that will cap off the work day other than hitting my ever so slowly, diminishing paper piles.

Wednesday, May 15, 2013

Time to get on with it

Test kiln was turned on 5:30 this morning and now I'm dealing with computer related woes (won't bore you with details). I will say that at some point today I'll be sending Jim out to buy me the biggest capacity stand alone hard drive he can fine.

Yesterday after a morning of garden work, and then, after lunch, finishing the last test tile, I bit the bullet and found a few minutes to decorate a couple of pots before dinner. After a bit of research, I learned that I could apply the lug and velvet under glazes on bone dry, slipped pots, so I timidly decorated a couple. It's the first time I've used these under glazes on anything but test tiles. It's guesswork about how thick these should be. I'm also having to  take time to decide which colors to use since I'm not yet familiar with the fired results, so I have to keep going back to the test bars.

Since almost all of the current batch of test pots have stark white aka toilet bowl white, slip, they really need some color.  I combined sgraffito, some brushwork and stamping using the under glazes on some and other will just be white slip background with underglazes. Hopefully as time goes by I'll feel more comfortable with this than I did yesterday.

I'm finding this type of decoration daunting. Soda pots were a lot easier - relying more on form and flashing slip  with either no other decoration or a minimal bit of colored decor on some. Silly me threw some of the forms that were part of my soda/salt firing body of work and now I'm looking at them and wondering how I can make them look anything but silly with these under glazes. I guess there's always the option of a solid colored glaze and I may just use that as a way out for those. There is a lovely tealish blue test that will be a good option if I decide to take the cowards way out.

Part of my continuing testings of slips has been the hope of finding a few warmer, yet subtle slip colors using oxides rather than expensive stains. After I unload these latest tests tomorrow, that's going to be it for testing for a while. I'm sick of it and want to move forward and make a few small workable batches of basic black, a warm yellow, and a soft, green to use as background color, even if it means having to use stains for one or two of them.

Time to get on with it.

Monday, May 13, 2013

Table full of test tiles

Yesterday was my Mother's day off; and of course I didn't get to all those paper piles, but I did get to actually read the whole Sunday paper on a Sunday. I usually don't get through that till Tuesday or later. A couple of household and gardening chores were done early in the day and I updated some glaze notes and did some glaze chemistry.

Jim took me to dinner at the Rogue River Lodge, which was good enough to go back another time. The drive is lovely and the river is always beautiful. We even saw a couple of pairs of Canadian geese and their goslings relaxing at the rivers edge.

I quickly perused these test tiles and made a couple of follow up notes Saturday and got a couple more tests weighted out, and threw some test tiles. The stains and lug and velvet under glazes give luscious colors, but I'm hoping to get a couple of these colors in slips without having to use expensive stains for large batches of dipping or pouring slips, so I'm going to do a couple of more of the green tests and see if I can refine some the colors I've already gotten. Ideally, the lugs and velvets will be used for small accent colors.

This morning was spent hand watering and planting a few more annuals and filling out a whole bunch of papers for our new doctor. We've been here a year and still didn't have a family practicioner. Then I had to get on the phone to order some things.

Next stop will be the studio for me to do weight out a couple of the altered green slip recipes and get those on to the tiles I threw Saturday.

All in all I'm happy with these tests. Some are what I was looking for and others are close enough to give me a clue as to how to tweak them. So far, I have my own clear glaze which is really good; and it doesn't rely on ghastly borate. The black slip tests are fine, so I'll be making a small batch of that soon. I figure that will be lovely on small pitchers, mugs, slab trays, etc with green, yellow or orange slip trailing.

 I'm close to the warm, buttercup yellow slip and somewhat close to the two light greens I'm looking for, so I'll weight those out today and get them on to the test tiles which are leather hard now and hopefully they'll be dry enough to fire Thursday.

Time to get moving. I have five hours before I have to come in and start on dinner.

Sunday, May 12, 2013

Happy Mothers Day

Jim thought one Mother's day bouquet wasn't enough so he brought home two, so I thought I'd share my bit overstuffed arrangement in this lovely Robin Hopper pitcher. Hope all you mothers out there are having a deservedly, fabulous day. 

Other than plant watering and paper work I'm taking the day off. I was in the studio around 3am because I had one of those two plus hours of wide awake time and decided to get in the studio and cut off the test tiles I threw after dinner and get them trimmed and under plastic. After some email I crawled back into bed a bit after 4am and blessedly got two more hours sleep; but I'm still dragging.

Our kids had very busy day yesterday but managed to call early this morning which is always sweet. Erin was performing last night and while I was up between 2 and 4am, not out of choice, she was on stage in Munich Germany. Sean and our daughter-in-law Nicole had a full day of working at the grand children's school fundraiser which Nicole was in charge of.  It was months of hard work and there was a lot of celebration last night with a lot of good wines, so the early calls were very appreciated.

This self appointed vegging out day is a good opportunity to tackle some of my paper piles which seem to grow every time I turn my back.



Friday, May 10, 2013

Summer has arrived

Yesterday I fired the tiny test kiln and unloaded these latest velvet under glazes and  some other bisque test tiles. Some of these colors are so luscious!

Yesterday was a mixture of studio and garden time. All my bush and pole beans had sprouted on damp paper towels in plastic baggies on top of the fridge for a couple of days, so I had to get them planted. My tall bean tower looks so awkward sitting inside a two foot high raised bed. Once those beans start climbing it's going to look like a modern version of Jack and the beanstalk.

Now that morning chores and hand watering are done, it's time to head to the studio. The fellow who I've been waiting for the past couple of week to replace some bricks in the larger Skutt kiln, has been a no show and I need to clear the slab roller (my only work table), of these pots that need bisquing. So I'm loading them today and then I'm going to do the job I couldn't get to the other day - lay all the tests I've done the past couple of months in numerical order and separate those that I want to use, along with a few I want to do further testing on and get the rest of them stored away from my work area.

It's going to be 90 degrees here today, and after work, I may just jump in the pool. I think it's time to test it. After all, it's been a year since we moved here and I have yet to set a foot in that pool!

Wednesday, May 08, 2013

Peter is assembled other than tightening some of the bolts. Jim kindly went out a while ago and got me some more support pieces for the tomato cages and a 9/16th wrench - the only size in my large collection, that I didn't have, and the size I need to tighten these bolts. He bought a set of six various sizes and now I have at least 3 sets and a bunch of other loose sizes.. Putting the rest of the pug mill together was pretty simple - just one call to the manufacturer to clarify one or two things. I still have to check one part that doesn't seem to have any instructions. It's a knob and I put it under the pressure gauge, which seems to be the place it fits. Unfortunately, the name of the part is not listed in the numbered parts list, nor is is shown in the sketches. So I think I'm going to get on Google and see if I can find other photos of this model

I spent the past hour or so perusing the manual and made some basic, important notes to help me get started. This Peter Pugger is not the same animal as my Bluebird Powerstar. It will take a few times of using it to remember the sequence of loading, mixing, and de-airing.

Right after lunch I'll get into the studio and mix some of my firmer clay with some reclaim to get a softer mix, get it de-aired and ready to use tomorrow.

The tiny test kiln is filled with slip and underglaze tests and ready for another firing tomorrow. 



Tuesday, May 07, 2013

Monday, May 06, 2013

Plugmill has arrived



My Peter Pugger was delivered half an hour ago and I got the smaller box unpacked and took what I could out of the larger one; but there's no way I can even slide this out on my own. I did try.

Jim called our handyman and he'll be here as soon as he can find someone to help him get this machine out of the box and on to the table. Meantime I'll read the manual before I get to other things.

This morning I busied myself with  unglamorous household and garden chores; and the rest of the day is going to be designated to sit down jobs. Three hours yesterday on those hard Costco, Lowe's hardware and nursery concrete floors, then another couple of hours unpacking the car and planting a lot of the perennials and annuals I bought, was enough to do in this cranky hip.

All that activity, then a double margarita to celebrate Cinco De Mayo, added up to a great night's sleep.  I was out cold by 8 pm and didn't get up till 6am which is amazing, since 6 hrs of sleep is my norm.

Time to see if I can make sense of this pugmill manual, redo my veggie garden plot plans, and sgraffito a couple of pots - all good sit down jobs geared to quiet down this cranky hip.

Saturday, May 04, 2013

Timing and pacing


Here's a photo I took this morning when I went out to cut the lettuce for tonight's dinner. I planted this and two other clematis last summer. This heavy clay soil with bad drainage didn't bode well for them, but so far they're all doing well.

This time of year I'm much more aware of timing and pacing my day. In this hot weather, garden time becomes an early, mid  and maybe late morning and very late afternoon affair. Before breakfast I do some dinner prep, then move the last of the seedlings outdoors when temp are in high 40's, make breakfast, then back to the garden to do more hand watering and planting, then studio time before lunch, or lunch if I stayed in the garden too long. And on and on it goes - flip flopping back and forth between chores, allowing short rest breaks for email and other on line chores, and all according to weather and personal energy.
 
Not much got planted yesterday because it was too hot by the time we got back from the neighborhood garage sale; but I did feed all my root veggies and plant some annuals and get those watered in. Then I headed for the studio and glazed a couple of test tiles and got a couple more slips mixed, on to test tiles, re-loaded the tiny test kiln and did my followup notes from the last test firing. Today I need to make one more test that will fill that little kiln to the max.

Yesterday afternoon, Jim suggested dinner out, and since I stayed in the studio longer than planned,  I thought dinner out was a great idea, so I skipped the Nicoise  salad and we'll have that tonight. Instead, we opted for an early Cinco de Maya celebration at our local Mexican restaurant.

A small order of buckets and pint jars arrived yesterday from U.S. Plastics, and I need to get that unpacked and fill the jars with some of my stains and get those labeled; and get that last test made, dipped and into the kiln.

FedEx says my Peter Pugger is now in Oregon, but delivery is not scheduled till Monday. FedEx certainly has some interesting routing  which makes what would be a straight 5 hour drive from where they picked it up to our house, to a 5 day trip. I'm sure they have a reason for all that up down and around road time,  but I'm clueless as to what it is. LOL

Friday, May 03, 2013

Peter Pugger finally enroute after a few delays

Enjoyed a quiet, retirement like early morning after a long, hard day in the garden, planting 12 tomato plants and other veggies, digging up and moving others and general cleanup and hand watering; and it's still not done. After breakfast we took a drive around the neighborhood to check out the yearly neighborhood garage sale; and of course I found some irises to plant, and the seller kindly or not, gave me a free strawberry plant - like I don't have enough things still left to plant!  My other little treasure was a really old hand held wooden roller, perfect for slab work. It fits great in the hand and was a great deal for seventy five cents. I gave the guy a dollar.

Yesterday I picked our first carrots and radishes. We still have more spinach and lettuce to harvest - maybe a bit too heavy on the lettuce unless we want to be making salad three times a day. Bet you can't guess what I'm making for dinner tonight. :-) Throw in some hard boiled egg wedges, tuna fish, black olives, cooked green beans, boiled potatoes. and we'll be munching on a Nicoise salad - perfect for this hot weather.

They finally shipped out my pug mill yesterday and Fed Ex tracking shows that it left Sacramento very early this morning. It was supposed to have been shipped last Friday, then changed to Tuesday, and changed again. Seems shipment on their current batch of orders was held up because they were waiting for the new manuals.
 
For now it's time to change into work clothes, make some lunch, get a few hours of sit down studio chores to rest this very achy hip. I want to update my notes after the last test firing and then line all the tests I've been doing and pick out the best of the bunch and those that need a bit more tweaking and store the rest. Reorganization in a small studio space seems like a never ending chore.

Thursday, May 02, 2013

Unloaded the tiny test kiln at 6:30 this morning and see some real possibilities, especially on the greens. Some of the flat tiles are just new under glazes that will need glazing and firing. Unfortunately two tiles - a flat one that was leaning against a post decided to become at one with one of the standing tiles. At least I can see glimpses of all the colors so it's not all lost, but I will redo those tiles.

After that job it was time to take my seedlings outside for the last time, do my hand watering, and then make breakfast.  A lot is blooming in the garden - clematis, snapdragons and other annuals, roses, bleeding hearts, perennial geraniums and more. I even picked my first strawberry yesterday. There's no room for a decent bed, but I did buy a few plants and have them in a big bucket. May and June seem to be the most wonderful time in the garden.

I didn't get any of the gas kiln work done yesterday, but by 3 o'clock and a busy day of firing the little kiln, measuring and cutting the stainless steel for the wind break for the Olympic kiln, and dealing still yet, with the watering problem,  planting some of the shade annuals, and some other uninteresting garden chores, the work day flew by and it was time to start on the rest of the dinner prep.

Yesterday I discovered that thin stainless steel cuts real easily with a tin snip; but it also cuts flesh even quicker. A short interruption to clean, medicate, and bandage a couple of shallow, but messy cuts, and that job was done. There's still the rust to remove off those panels, but that can wait for another day.

Since it's going to be in the high 80's today and the next few days, I've decided to put off the gas firing, probably till next week when it will be dropping down to the  high 70's and low 80's. Instead, I'm making this a planting day, because I'm so tired of carting these seedlings in and out every day. The night time temperatures are high enough now and with the  heavy duty remay covering the tender veggies and herbs will be nice and cozy.

It's already in the 60's, so I'm going to get my planting chart out and get moving before it gets too hot. Looks like it's going to be another beautiful and productive day!

Wednesday, May 01, 2013

Busy morning busy day ahead

Turned the little test kiln on at 6am, had a cup of tea and then made scones and got potatoes on for tonight's potato salad, which I'll make after I shower.

I luckily found a couple of pieces of thin stainless steel at our local scrap metal place yesterday - one of our many stops during our all day shopping. Two sheets, which is all I need to make the wind guard for the little gas kiln, were only $4.80, and one cut on each will make them the perfect size. They're a bit rusty on the edges after living outside with rain sitting on them, so I'll be getting some sandpaper or steel wool out to clean them up a bit.

So, after the potato salad is made, I'll be heading to the studio to cut those with my tin snips and clean them up. Then I'll light the small Olympic gas kiln to make sure all is well after sitting out all winter. If it's OK, I'll load it and fire it tomorrow  and only if I'm up to it after today's firing. This bad hip is sore from all that walking and standing on hard floors yesterday, so I'm giving myself the option of a day of sit down chores tomorrow if it doesn't quiet down. Either way, life is good and all will get done in good time. It's taken me over 70 years to reach this level of patience and I'm actually enjoying the fact that I don't angst over timing of these things any more.


Tuesday, April 30, 2013

Peter Pugger on the way


 This was my setup in North Carolina for the very small Olympic kiln which I used for soda test firings and refires. And now that the weather is going to be turning again, this time for the better, it's time to get working on finding replacement metal sheeting to keep the wind from blowing out the burners.

I have natural gas now and have drilled out the orifices and hopefully it will be ready to go sometime this week. The first group of glazed and decorated pots have certainly been ready for months; and there are enough other pots on hand for multiple firings. I'll just have to batch new liner and decorating glazes for them.

So far I've had no luck finding replacement metal for the wind screen. One scrap metal place looked abandoned, and the only visible metal was thick, rusted out material. Lowe's won't cut one of those big sheets of corrugated roofing, which is what I used before, as seen in this picture. It was some leftover we had on hand, that was used as roofing for our old wood shed. If I had known how difficult it was to replace it, I would have thrown those pieces on the moving truck! There's only one more possible source in the county and I'll try them today. Needless to say,  I'm open for any and all suggestions for possible material and sources for it. I'd prefer lightweight, non corrugated material, inexpensive, probably galvanized sheet metal (a lot easier to cut with tin snips).f.

My new pugmill wasn't sent out Friday as originally scheduled, but they assured me it will be sent out today via Fed Ex and will take about 3 days to get here. So, if all goes as planned, it should be here by Friday or Saturday.

Yesterday my last order of Velvet underglazes arrived and I got them on to bisqued tiles, and glazed them as well as the latest, bisqued slip tests. After a cold night in the unheated studio, they're still not dry this morning, and will have to wait till tomorrow to be fired. So I'm skipping the studio today and heading to town for food, soil, and plant shopping, as well as a stop at the only other scrap metal place in the county.

And, if I'm lucky enough to find that metal today, I'll light that little Olympic kiln later this afternoon to make sure those burners are working OK after sitting all winter, and load and fire it tomorrow, which is forecast to be a perfect firing day, with a high of 75 after a coolish, mid 40's, morning.





Sunday, April 28, 2013

The glaze fit for a king

Winding down a weekend with family and friends, sharing some amazing company, food and wines, and great fishing trip on the Rogue. We caught a lot of fish, saw several eagles and a few pairs of Canadian geese with their babies. My son bought me a fantastic jacket at the fishing shop, but I had to remove it the minute the boat hit the river, because it was already too warm for a jacket by 9 am.

Our son left for L.A. this morning and after a last bit of visit time with him, then dropping off something for a friend, we've spent the rest of the afternoon enjoying a lazy Sunday with reading the papers and doing the daily "have tos".

I met this wonderful gal at a party last night and we got into a conversation about Chinese glazes. She's the assistant vice president and senior specialist in Chinese works of art at Sotheby's and I was intrigued about the Ru ware she spoke of. Ru ware, from Northern China, was only produced for around 20-30 years and only produced for royalty; and there are only 70 known pieces to have survived since 900 AD, and they survived because they've always been highly treasured. She said that although they have the analysis of the glaze, no one has ever been able to replicate it's unique qualities.

So, being the curious animal I am, I spent quite a bit of time late last night and this morning reading up on this glaze. I'd love to play with those known formulas and see if I could get something close to it in my small gas kiln. But that journey will have to wait a year or so until I finish current projects.

A small Ru ware bowl, sold at Sotheby's for 26.7 million dollars. Rarity creates such economic windfalls. The glaze has many variations, obviously from kiln placement, amount of reduction, firing temperature, etc. So, like an amateur sleuth, I've been digging up as much information as I can. It doesn't seem likely that I could ever replicate this glaze, but it would sure be fun and challenging to try. In fact, some of the photos I've seen of the blue green variation of the glaze, look a lot like my blue green celadon, at least, color wise. But I think there's an optical blue quality to the most prized of this ware, similar to, but not quite like a chun glaze.

If you want a peek at this glaze fit for a king, check it out at the link below.

http://www.youtube.com/embed/SDpAD5qwtYY

Tomorrow I'll be back to reality in the studio re-mixing, my very common clear, earthenware glaze and dipping the latest bisqued, stain tests; but maybe day dreaming a bit about Ru ware.
 

Friday, April 26, 2013

I emptied the tiny test kiln this morning. These slips look promising, but I will find out the true colors once they're glazed. It was a bit of guesswork on some of these mason stains, particularly the green ones, which are all dark; but after putting swatches of them in paint shop pro and lightening them, I got an idea of what they would look like if I use smaller percentages. These tests are reflecting what I saw in paint shop pro, so that's another tool to use in the future. It's still hit and miss guess work; but it's a lot better than starting with ten or 15% when you know you don't want something that dark.

Now that breakfast is over, and some living room paperwork tidying has been done, I need to get in the garden for a bit to hand water and uncover the seedlings, and then start cooking. Our son is coming over for dinner and I have to make some stock for our soup first course and cut up a couple of chickens for the chicken Cacciatori. At some point in the afternoon while the chicken is cooking I'd like to get in the studio and glaze these tiles.

They're supposed to be shipping my Peter Pugger today, but I'll call them to make sure that is still on schedule. It's going to be 86 degrees today, so I'd better close for now and get this garden work done while it's still cool.

Thursday, April 25, 2013

Potters of the US video



Here's a bit of pottery nostalgia. Enjoy! PS: if the embedded code doesn't take you to the video, just copy and paste this url to access it:

 http://www.youtube.com/watch?v=QVsWbI5FUUA

After yesterday's busy day, it was no surprise that I was asleep early enough to be wide awake around 4am this morning. So I headed to the studio to turn on the tiny test kiln to fire new slip tests and found that I hadn't covered the ring of clay I threw for test tiles yesterday and learned something new!

They were as leather hard as you can get with the top of the ring starting to show the beginning of bone dryness. I cut through with my fettling knife figuring that I'd cut them all then wire cut them off the bat; but at that stage of dryness, they just popped off the bat, nice and clean. Who knew! After 38 years or so of potting I once again, learned something new.

Today's studio plan is just to fire the little test kiln which I have to do manually, and do a little organizing. I still have one big rubbermaid container full of small items that I have to go through and see find places for or put them aside to give away or sell. Then I need to go through all the recent glaze and slip tests and see if I want to do any more followup testing.

For now, I need to update some of my test notes.

Wednesday, April 24, 2013

Shift happens

 
Going back in time, here are a couple of examples of some of the cone 10 Reduction pots I was making in the mid 70's and 80's. The reason I'm putting these up here, is that I held on to those stamps, which I made when recuperating from a hysterectomy. I really enjoyed that form of on glaze decorating and I have an idea of trying to use them with the new earthenware under glazes. These stamps also worked well stamping slip, or using the stamp to remove slip.

There was so much seedling and garden work yesterday morning that I didn't get to the studio till after lunch. Almost everything I planned to do in the studio yesterday was shifted because a package of new stains arrived from U.S. Pigments. So, instead of cleaning up (sanding, scraping the slip applied the day before), I wound up only slipping the interiors instead; and after cleanup, I weighed a test batch of slip, using the vanadium yellow stain. By the time that was on a test tile and cleanup was done, it was time to think about dinner, and leave the other tests for today.

I had also shifted the dinner plans. Jim wanted to give me a break and get Chinese take out; but I had made us a nice lunch of quesadillas and guacamole, so I suggested that I just fry up some frozen pot stickers, and save the Chinese takeout for Thursday night.

After dinner I dug out my glaze notes sketchbook - the one I used to keep track of how I decorated pots for my soda/salt firings.  I sketched all the current group of earthenware pots and will be making extensive notes on the under glaze and glaze decorations.

The idea of decorating these pots gets me into a mild state of panic, because I'm clueless about what I'm going to do, and  have no idea how these under glazes will be to work with, etc.. One of the ideas I'm going to try is using my old foam stamps with the under glazes, like I did in the photos above. I used these over thirty years ago, stamping oxide washes over my cone 10 reduction glazes. The washes  worked great over rutile, celadon and saturated iron glazes; but how it will work or not with these low fire under glazes remains to be seen.

 I've done some sketches of decorating ideas,  but transferring those designs to actually working with new materials is going to be another learning curve. Fortunately I have another week or so till I have to face that decorating starting gate, because the larger Skutt kiln needs some brick repairs and the repair guy can't come for another week.

 Right now it's time for vitamins, and seedling care (they all spent their first night outdoors covered with remay). Once I've removed the remay and watered them, I'll be heading to the studio for most of the day, then quitting at 4 to start dinner. It feels like it's going to shift into a good very good day.


Tuesday, April 23, 2013

Can you tell the difference



Can you tell which of these have the light yellow slip and which ones have the plain white slip? Neither can I, even after putting a whole small bottle of yellow food dye in the buckets. 

The plant nursery, aka the meditation room/office, is now closed. All seedlings are fed, watered and hardening off outdoors.

Morning chores are done,, so now I'm heading to the studio with my "to do" list. First thing on the agenda is cleaning up some of these pots that I slipped yesterday, maybe slipping some of the interiors, and doing some sgraffito.

Jim said I deserve a break and he's offered to get some Chinese takeout so I'll  get some good afternoon studio time. Life is good.

Monday, April 22, 2013

Honoring Earth Day

It was a morning to feed all my seedlings with fish fertilizer, make breakfast, do email and start transferring documents and music from my stand alone hard drive to my other laptop. I thought I could just leave it doing it's job but suddenly realized with the first message on screen telling me I already have that file and asking if I still want to add it. So it looks like I will need to be here to manually deal with this.

Oh Lord, the whole process just stopped and the new folder where I've been pasting these for the past hour is empty. AARGH!

Time to head to my closet and find a short sleeved green shirt in honor of earth day, and head to the studio. It's more like an early summer day and would be lovely to sit by the river and cast a few. But I have pots that need to be slipped. Our son is treating me to a fishing trip with him and a guide Saturday, so I shouldn't even be vaguely bemoaning my having to choose studio time over fishing on this glorious day.

I'll tackle this computer mess after dinner tonight, if I can resist hitting the thing with a sledge hammer!

Sunday, April 21, 2013

After I got my seedlings watered and outdoors for the day,  we went out for breakfast, and then on to a search for a new planter for the atrium, followed by a trip to our sons' place to check on their vegetable beds, a stop at the grocery store and home to spend the afternoon cooking a lovely roast duck with grape sauce, rice pilaf with mushrooms, onions, raisins and almonds, and some home grown cauliflower with a lemon chervil butter.

The lovely, large planter we bought was only $49. There's no way I could have paid for the clay and glaze materials and fired that pot to cone 10 in a wood kiln for that amount of money. And yet that pot could be shipped from Thailand, and still sell for that retail price. It makes one wonder how cheap the the wholesale price was before the shipping costs.

The past couple of days have been dedicated to shopping for clay and other supplies, plants and other things, transplanting seedlings, planting some annuals, hand watering since some of newly installed watering system is not doing the job, and finally getting software updated and getting my ipad and ipod touch updated. For some reason the process finally worked. Maybe it was the new Windows 7 updates. I can never figure this computer stuff out!

I also spent time ordering some new stains. Some of my latest test were not quite what I wanted; but I got the idea of taking some of the other colors on Mason's site and putting them in my Paint shop pro, and using the part of the program that  will show you what the color would look like lightened. And voila! I saw that some of those stains colors when lightened, look like some of the tones I'm looking for. So I ordered a couple of them and am  I'm hoping that smaller percentage additions just might give me the right colors. I'm keeping my fingers crossed.

Tomorrow I'll be back in the studio after breakfast and morning plant and animal care.  There are a few more seedlings to transplant and feed and I'm going to risk planting a few tomatoes since we're in a warm spell and I can cover them at night with thick remay.  With my pugmill arriving in another week or so , I'm really hoping to get some of these veggies planted - at least the cucumbers, cabbage and larger tomato plants, that I think will do OK if covered during the cooler evenings. Tender things like basil, eggplant and peppers will probably have to be babied for a couple more weeks.





Friday, April 19, 2013

Akar yunomi show link

http://www.akardesign.com/

There's some amazing work on Akar - over 200 yunomis to drool over. Enjoy!

We've been out most of the day - shopping for clay, some groceries, plants and buckets. None of the 3 hardware stores I went to had the bucket and lids I needed. I have 5 gallons buckets but needed a couple of 1 gallon with lids, and 2 gallon with lids . No one had the one gallon with lids, nor lids for the 2 gallon, so I bought a couple of the 2 gallon and figured I'd have to go back in a week to get the lids. Fortunately when I got home, I found that I had two extra 2 gallon lids, so I'm in pretty good shape. They had some light weigh, one gallon plastic containers with lids, but no handles, so I got a couple of those. I want to make up some small batches of glazes that I'll be using minimally so there's no need for more 5 gallon buckets which I don't have room for anyway.

After I got home and unloaded pottery supplies, plants and groceries, made lunch, it was already after 3 o'clock, and I still haven't checked my snail mail other than a package from U.S. Pigments. Two of my new stains arrived, so I'm hoping I get a second wind in the next half hour so I can get to the studio and test those in slips and glazes. Right now I feel like I need a nap; but I need to see if any of my seedlings need watering. Shopping is more tiring than working!

Thursday, April 18, 2013

A bit of this and a bit of that



Few more mug shapes I'm playing with. The two with spiral design are shapes that worked well for me in soda/salt but I'm clueless at this point about how to decorate those two for cone 04, other than a solid glaze. The other one looks like it will offer more decorating choices.


I also got three more slip tests done and on to tiles and will continue that after lunch. There's room in the tiny test kiln for a few more of these, and I'm hoping to get that firing Saturday or Sunday.

Feeling guilty about getting so little studio time lately, and when I do I'm screwing up. Lost a few yunomis yesterday - they melted before my eyes after slipping them.  Looks like earthenware pots have to be a bit thicker to take the thicker slip, unless of course, you enjoy watching your pots self destruct before you eyes, doing their imitation of ice cream melting on a hot driveway in August. Slipping soda/salt pots was a lot easier. Lesson learned - I hope.

This morning I got my new wireless keyboard unpacked and working and Jim, a proudly self proclaimed Luddite of the first order (the man wrote two books on yellow note pads), got his new, not so smart cell phone. I'm prepared to hear a lot of bitchin and complaing for the rest of the day. It took him a couple of months to take the GPS I gave him out of the box, and waited till our son-law arrived to tell him how to use it. On second thought, maybe I should just get way out of his way today. :-) He's been on the phone an hour so far trying to get them to walk through getting the phone set up, transferring his minutes and making sure his triple minutes are showing.

After breakfast I got a lot of my tomato seedlings transplanted into bigger pots and outside to start hardening off. But I ran out of potting soil, so I'm heading out to our local Grange Co-op to get another bag so I can continue that after dinner or tomorrow morning. It's been a good day - just having to switch gears back and forth between gardening and studio chores.


Monday, April 15, 2013

Great group of potters doing a show and sale in Madison county North Carolina this weekend.

http://pottersofmadisoncounty.com/

Here's a link to a great group of potters having a show/sale this weekend in the mountains of Western North Carolina. If you're  anywhere near there, treat yourself. You won't be disappointed.

After a couple of days of cooking, plant care and computer work (finally got my documents and photo files greatly cleaned out and backed up), and some pot sketching and followup notes, I'm ready to head to the studio this morning. A small group of pots need to be waxed and slipped and more tests need to be weighed and mixed.

I'm still looking for a rich, warm yellow - either slip or glaze. Most of those I've already done are either too light or too lemon colored, which is lovely, but not what I'm looking for at this point. The color I want is like the yellow on the Victoria Christen mug I put on my blog a couple of days ago - a rich, sunshine/buttercup yellow. I've got it close with my glaze and 6% rutile; but I'm really hoping I can get this color in slip.

To that end I've been spending a lot of time looking at stain colors on line; and it's amazing how different the same stain color looks on various retail sites, so lord know what colors  they will actually wind up being, once tested. Mason's Buttercup stain is the one that looks like a good possibility to explore with higher amounts of stain  than I've done up until now. That's the possible good news. The bad is that that stain color is no longer available. I did find a site that lists it, so I want to test it as soon as possible and if it's what I'm looking for, I want order more of the stain  while I can still get it. My other option is to do some higher percentage tests with the rutile. The 6% rutile test I did with my my clear glaze is really close, but I want to test it at 8% as well. Ideally,  I'd like to get this color in a slip, so that's another test to do today - probably start at 12% rutile and then mix that 1/2 and 1/2 wet volume with my plain slip and see what it brings.

While waiting for my new Peter Pugger to arrive in another week or two, I'm going to use this time to wind up all of this testing and getting the studio ready for more pots to come. I've already re-organized a lot of things last week - moved all the test glaze batches to a shelving unit, freeing up a low, wheeled cart to use for bisqued pots which I finally moved off the slab roller; but there's that last bit of mostly little stuff that I need to find homes for. I'm thinking that I just may have to come up with a hanging shelf suspended from one of the suspended ceiling storage units we already have. I checked that out this morning and am thinking that  I can get some chain and hooks and a piece of plywood or similar and suspend it over my slab roller. I saw suspended shelving similar to this at pottery studios and potters homes in Japan; and it's a good way to find that extra storage in small studios. So much to do and so little time and energy.





Thursday, April 11, 2013

Great new trim tool to make from bamboo



Thanks to Lee Love for making this video available. Unfortunately I don't think my few pieces of very dry timber bamboo from my garden in Florida, will do the trick. Maybe I can find someone locally who is growing some of the larger bamboo and get a fresh piece. Or maybe I can just steam one of the pieces I have and see if I can cut a strip. Hmmm!

My check is in the mail for the new Peter Pugger mixer; or will be as soon as Jim walks down to the mail box. I'm a bit late with emails because my server was down last night and until about 15 minutes ago. But breakfast is done, seedlings are watered, and I'll do email until the heating cooling people arrive to do the spring maintenance on our system.

Once they leave I can get to the studio and finish the last two pots that I left last night, and figure out where I'm going to put the items which are now taking space on the table which I will need the pugmill. Lastly, I need to sort and store a lot of test tiles and other items which are now taking up my entire slab roller. With the  pugmill arriving in two weeks or maybe sooner , I'll be putting both that slab roller and the extruder to work.

It's amazing how much more work you can put out when you have the pug mill mixing, wedging and de-airing clay. You use your energy to make pots and you never have to angst about making a mistake. If it doesn't work, just throw the clay back in the pugmill and let it do the donkey work. For us ancient ones it's a lifesaver and for you youngsters, it can save your body down the line. I may even ask Santa to give me one of those clay centering gizmos next. My arthritic neck and spine would really appreciate that. Think I'll leave extra cookies for Saint Nick this year. :-)

                                

Wednesday, April 10, 2013

My new peter pugger pug mill



One of my readers asked me to post some of the result of my pug mill search. There are good things as well as bad reported by owners and users of various models. As a former owner of a large, powerstar Bluebird, I can say that for me, with my limited production, it worked fine. It was much bigger than I needed but I got an over $5000 machine for $800 at an auction, so I dealt with the size. What I didn't like about the Powerstar was that you had to tilt this over 300 lbs or more machine to empty the oil. Jim and I couldn't do it so we had to pay someone to do it.

For one Bluebird who spoke well of the brand, he also reported a long list of needed maintenance and rebuilds over time. Another poster with a Venco  which also had heavy duty, long term use, had no where near the same maintenance or rebuilds. The Bailey has a new pugmill which looks good on paper, but they don't have a size small enough for my current needs.

The Peter Pugger is the one I zeroed in on. It's the perfect size - only 3feet long and 14inches high and deep. It will fit on a heavy metal table I  already have, and it doesn't have those messy screens to clean. Four small bolts remove the shell for easy access to the auger blades for cleaning, and there's even a temperature control.  When the machine is closed up the clay will stay moist a very long time. With my old Bluebird, I had to stuff the hopper and exit with wet towels, and plastic to keep the clay from drying out. It's small but with it's capability to pug and deair 500 lbs of clay an hour, is more clay that I or any working solo, studio potter would need.

And since I also sold my clay mixer, the Peter Pugger will be great reclaiming dry and wet clay as well. Most of the reviews were very good, with the exception of someone using it for porcelain who felt that the clay lost it's plasticity; but it could have been because he over mixed it, which another owner said, would cause that problem. Doing a short e-mixing with a bit more water was recommended as a fix.

I think you need to read up on all of them and do some one line queries for people who may own the ones you're considering. From what I can see, the PeterPugger is the only one that is that small that can reclaim dry scraps as well as pug and de-air clay.

These are pricy machines, but at some point you have to determine if, as in my case, you aging, aching body is worth it. And since I know that once I hang it up, the pug mill will have no trouble finding a new home, recouping some of my initial investment.

The Peter Pugger pictured is the one I'm ordering from the manufacturer. Since I'm paying cash, he'll ship it for free. They also have the option of time payments if needed or desired. I compared the total price to other on line prices and the manufacturer is the best deal. Some may give a little discount on the list price, but charge much more for shipping and may not give a cash discount. I think there may be the advantage of perhaps getting the machine quicker because I ordered directly from them. In case of any problem I won't have to deal with third parties.

Delivery was my concern, but because this machine is only about 185 lbs crated, he said the UPS or Fedex people would just put it on a cart and bring it to the house, as long as I'm here, which wouldn't be a problem to arrange.

It took me until one o'clock this afternoon to get household and garden things, including meetings with the garden man to get the drip system set up done. Now it's time to get this won ton soup heated up for lunch and hopefully I can get those mug handles pulled and on to pots this afternoon.

It's looking like another one of those "where did the time go", kind of days.


Tuesday, April 09, 2013

More earthenware eye candy

 Here's the days earthenware eye candy -a few mugs and a cup.. From the top, Victoria Christen, Tony Clennell, Martina Lantin, Ron Philbeck




So much great and diversified work is now being down with earthenware, from the simplest of decor from people like Courtney Murphy to the more heavily decorated majolica from Linda Arbuckle and others.

On a personal level, I still haven't figured out the direction I want to go with this new leap into earthenware. The sgrafitto pots can be a delight. Just look at the wonderful work that Ron Philbeck has done with his joyous characters or the complex sgraffito patterning that others are doing. And then there's the huge selection of underglazes to be used with abandon or precision, or slips and glazes without any added design, or slip trailing that is being done so beautifully by Hannah McAndrew and Doug Fitch - so many things to choose from - maybe too many.

Yesterday I got some studio time in between everything else. The clay was still a bit harder after wetting it down, but doable. This morning I'm going to get on line and check pricing on the small, Peter Pugger. Yesterday Jim said "when are you going to order that pug mill". I have been dragging my feet on it, but that hard clay the past two days was enough to get me moving. I like the fact that I can use the Peter Puggere to reclaim dry scraps as well. The fact that they have a really small one for my limited space was another consideration. I have the perfect, heavy table, in the right place for it, so it's time to do some price comparisons.

Studio heat is on, pots checked and seedlings watered. Hopefully these pots which I left uncovered overnight will dry enough now that the heat is on, to be trimmed later. Today or tomorrow I need to make time to get some of my tomato seedlings transplanted into bigger peat pots. Even with a second grow light I'm hoping I won't run out of room for them before it's time to get them planted outdoors.

Later this afternoon I have to get over to our sons place to harvest some asparagus and then it's a dinner night out at the local Chinese restaurant. This is definitely another one of my smorgasbord kind of days. This time of year, every day seems to be a juggling act between studio, plant and garden chores, animal care, household chores, cooking and shopping.






Monday, April 08, 2013

Earthenware eye candy

 Here are a couple of earthenware yunomis. The first one is Campbell Hagan and the second is Clary Illian,  and third one down is Diane Kenny


Slept late because I was up till midnight  with computer chores. I finally figured out, up to a point how to get this Justcloud on line file saving to work, and was able to get some of my documents into a Sync folder which is on both my laptops, and worked all that time transferring some of my documents. The Sync folder only has limited file saving, so this is going to be a long, tedious every night process.

Now that seedlings are watered, email done, people and critters fed, and yesterdays few pots uncovered,   the studio  should be warm enough for human occupancy. Last night I got two pugs of clay watered down by slicing and dipping and hopefully the clay will be  a lot easier to wedge and throw with these arthritic bones. If I was twenty years younger that freshly purchased clay would still have been too hard to use.

Why did I sell my clay mixer and pugmill. :-(

Saturday, April 06, 2013

Ruthanne Tudball unique centering technique for plates and platters.

http://www.youtube.com/embed/hpadOaQMR5o

Here's a Ruthanne Tudball video showing s different way to center clay for a plate or platter. With this method, you only just have to center the rim if you want a traditional, round. If you don't want to center the rim, you can just leave it slightly off center and get an interesting reticulated edge, with a bit more visual movement.

There hasn't been a lot of time for the studio, but I did get a bucket of very pale, Titanium yellow slip  batched and dipped a few small pots and got a couple of test tiles dipped. This yellow slip was the one our daughter picked from all the yellows I tested, which she felt more closely matched her commercial set of dishes that she uses for her tea parties. So now I'm just waiting for these to dry so I can get them bisqued in the tiny test kiln and make sure the batch matches the original test before I throw her requested tea pot.

The house, major computer cleanup, finally figuring out how to backup using Jcloud and seedling care kept me busy yesterday. This morning was spent sketching some decorating ideas for some more yunomis and mugs I want to throw tomorrow. I've been backing up my files for over 30 hours and have less than 40% of them backed up. Seems I would have to pay more to speed up the backup. I think stand alone hard drives are the same price and work a lot faster.

An order of under glazes, along with a lovely liner brush and brush holder arrived from Dick Blicks this afternoon, so I headed to the studio and got those  under glazes on to a bisqued test tile and got the slipped pots cleaned up.

After making a nice pasta dinner and enjoying the lovely wine that Jim selected, I'm ready to retreat to the bedroom for some mindless Brit coms for the rest of the night. It's been a good day.

 

Wednesday, April 03, 2013

Spring is busting out all over.

Spring is busting out all over - trees flowering, the leaves on my Japanese maples are opening and there are already flower buds on my clematis vines.

Been moving at snails pace the past two days. We're both dealing with infectious colds and probably allergies as well, and the blahs that go with it all.

Yesterday morning I downloaded the Linda Arbuckle video which I really enjoyed. She's a very good teacher and even though I probably won't be doing majolica, I was very interested in some of the techniques, design considerations, brush choices, etc.

I got a tiny bit of studio time yesterday just to label some things and make some lists; but had to cut that short because my only grow light stopped working and I had to deal with that. The rest of my day was  cooking, animal care, getting my seedlings in and out and watered, doing email, computer cleanup,some sketching and taking fist fulls of vitamins and some oscillococcinum.

This morning was more of the same - getting a second grow light set up, moving the larger seedlings outdoors, breakfast, shower, email and trying to get my wireless keyboard to work which has been an on again, off again, as it seems to be slowly dying like this Dell laptop. My son-in-law suggested I looked in Asus, so I'm going to check that soon.

Since it's going to be 77 degrees today, when Jim gets back from a meeting with our insurance man, he suggested lunch out (good idea), so off we'll go to the Thai restaurant, followed by a quick stop at the grocery store to pick up some ingredients for the faro salad I want to make tonight, and then a stop at our sons ranch to pick up the jacket I left there Sunday, and to cut whatever asparagus are ready.

If time allows, and I'm up to it when we get home, I have a couple of small things to plant. A fragrant double blooming hosta that I bought on ebay has to be potted as well. Then it will be time for dinner prep and then get back to doing my couch potato imitation after dinner, to do email, and computer filing and cleanup.


Monday, April 01, 2013

http://www.nytimes.com/interactive/garden/Reader-Bowls.html?ref=garden#index

Check out the New York Times homage to the bowl - lots of photos to see and you can add your own favorite as well!

After a couple of weeks of house guests and holiday partying, heavy duty garden chores, and cooking my body is screaming "sit down and be a couch potato for a day", so I am taking heed and doing just that. So, other than feeding us and our furry kids, taking care of my seedlings, feeding my sour dough starter, ingesting a lot of vitamin c, and making a loaf of breakfast bread, I'm staying put on this sofa. There's a lot of computer filing and cleanup to do and some on line ordering to do which should guarantee that I stay put for a good portion of the day.

I'm also going to treat myself to the Linda Arbuckle video download and learn more about majolica techniques.

Mother Nature is watering the garden for me today and it looks like we're in for a few days of this rain.  So after this self indulgent day of rest and lots of vitamins, with no house guests, parties or appointments for the rest of the week, I should be re-charged and ready to get back to work tomorrow.

First, I need to feed my starter and then, let the couch potato day begin.